“Points of connection are where we find common ground. In my work I use design principles, techniques, and material philosophies across craft expressions (mainly metalsmithing, textiles, and ceramics) in order to find places where I can dissolve disciplinary lines, seeking common ground. I want to see how materials behave when they are treated like a different material. For instance, when using thin gauge wire as a fiber to knit, loop, and weave, I am able to create voluminous three dimensional forms that have the flexibility of fabric, but the structure of metal. When I make vessels using this technique, I liken the process to pottery instead of raising because the way my hands attend to the malleability of the form has a similar sensitivity as when I work with clay. Making these kinds of connections is what ultimately drives my work."