Wyatt NP
He/Him
Windham, ME
Wyatt NP is a metalsmith and enamelist living in Maine. As a craftsperson, farming and agriculture provided Wyatt with a strong foundation for his artistic practice. He has had various agriculturally focused careers, having worked in livestock management as a farrier, while also pursuing craft focused endeavors in metals and jewelry. In his own work NP primarily makes belt buckles, with an appreciation for motifs around agriculture, the outdoors and fishing. NP is an avid outdoorsman who loves fishing, hiking, and backpacking. When he’s not in the studio you can find him fishing on one of Maine’s many lakes.
“Belt buckles have deep ties to rural iconography, which is prevalent in the agricultural world I often find myself in. Fabricating belt buckles appeals to my own interests by creating characterizations of narrations in a form of body adornment so often masculinized and tied to rural identity. The culture of farming and agriculture is commonly thought to be reserved for conservative, cisgender, white, heterosexual people. Growing up in a small rural town, working with horses my whole life, agriculture grounded me. My work showcases the intimacy of rural identities by recontextualizing traditional narrations into jewelry for utility, enjoyment, and expression.”
@thatbeltbuckleguy
How does your work relate to the theme of flourish(ing)?
“Trout as a species are extremely resilient cold water fish. However if a water body is depleted of oxygen levels, with no cool deep pockets to recede into their livelihood can be at stake. Most people don’t think of fish as resilient, hardy creatures, though Salmonids such as Brook Trout and Salmon have key memories in their biology that leads them to their natal waters, driving them to make the journey upstream through countless obstacles to continue on for generations. Resilience is often found in nature, and when these optimal living conditions are met, they can flourish. Currently as a nation we are amidst a crisis. Seemingly everyone is affected and we as humans are not alone in this. While conservatives talk of hunting and fishing as favored sports, they have found shortcomings in their resource hungry elected officials ready to sell any protected lands and waters in our nation for development and cash. The current administration does not care for the creatures on our lands, in our waters or for the minorities so deeply affected by the bills and laws coming into effect every waking day. When given the time, space and conditions, trout can flourish and survive. With water temperatures (even in Maine) on the rise and a month-long ongoing drought, they are currently under a massive amount of stress. Though they find those cool, deep pockets, swim upstream and band together for better survival. I love that we share a common ground with them. Trans people are continually being demonized in the news, laws being written to take away the sliver of rights we possess, yet we persist by coming together to support one another, survive and maybe even flourish."
"Upstream", Champleve enamel on Copper, 2.75"x3.25", 2025How does your creative practice allow you to flourish (grow, thrive, blossom)?
“I’ve taken a short break from my usual quantities of Champleve pieces this year, only making a handful of them to dial in more on production work, teaching, my job and my newfound love of backpacking. Doing this has felt hard, as oftentimes I make work because I have an idea I feel the need to execute and see through to completion. This piece was made after this long pause of enjoying the summer, traveling, teaching and learning. Oftentimes I put too much pressure on myself to make work, to continue making work even when I don’t want to or am nearly too busy. I’ve been wanting to make pieces more for myself and lately what means is focusing on themes of the outdoors, specifically fishing. 90% of my free time outside of work and my studio is spent on a lake, river or pond. Fishing has become so integral to my own mental health that I’ve wanted to carry these visuals over into the pieces I make. At first I was worried about changing the scope of the type of pieces I usually make. Luckily I still love making belt buckles, though moving to the Northeast I’ve found that I wanted to adapt my work with this change. It’s been a long time coming, though I’m glad I’ve taken this time to dive deep and reflect on what I want to be making. Living up in Maine is especially magical for so many reasons. Something I’m coming to appreciate is the seasonal nature of a place where winter looms even in early October. Summers are for being outside, living and enjoying life. Winter is for making work. This dynamic is something I’ve struggled with for some time as a person who yearns to hike, camp, backpack, fish and hunt. My practice this year has taught me to take breaks, to enjoy life and being outside. That way when winter comes I’ll have the inspiration on hand to begin making again.”
As a queer+ artist, what would you like to see and/or what do you need in order to flourish during this time?
“For me in 2025, time away from my phone and the news is integral to my well being. It feels like every time I open my phone there’s another anti-trans bill being passed into law, another mass shooter with suspected ties to a ‘transgender extremist movement’ and insane fines about bathrooms and a binary that they want to instill even deeper into our society. This only pushes me outdoors more, wanting to break free into the wild that Kerouac wrote about. I want to enjoy nature as it is- raw, unbiased, fluid and welcoming. 2025 has been a big year for me for backpacking. I’ve been going on longer and longer trips over the summer, pushing the physical limits of what I find my body is capable of and becoming at peace outdoors leaving all of the noise in my phone where I can’t see any of it (as I have no service). Every hike, every summit and trail concluded leads to the want to do more and experience more. ”
[queerphoria]v4 @ ECU Symposium
