Mia Ferraro

They/Them

Staten Island New York

“I am a metalworker and currently a Senior at SUNY New Paltz, obtaining my BFA in Metal. My work has been exhibited in Queerphoria Vol. 5 at NYCJW 2025, In Focus exhibition at SNAG 2026 and at Acquired Tastes at the DRAW gallery in Kingston, NY. I look forward to having my BFA thesis show in the Spring of 2027.”

“My work explores how altering the recognizable form of flatware and embedding my own language of knots into the form can change the relationship we have to such a familiar object. By allowing the viewer to approach the work with preconceived notions of its form, the connotations of the object can be explored and investigated.“

@4rtby_mia

Mia Ferraro all pieces

How does your creative practice allow you to restore (renew, return, reclaim, recover)?  

“My work allows me to restore and rebuild relationships with people because the objects I make work off an existing visual language. Whether that be jewelry or flatware, by creating my own version of these recognizable objects I am able to inject my own aesthetic and themes into a digestible form. This allows for a wider audience to be created and a greater understanding to be had which is important to me since I feel a personal responsibility to be an advocate as well as an artist. I understand art as a visual language that can be seen by anyone, no matter where they are from or what language they speak. By engaging with this visual language, I reject the boundaries that keep us from understanding one another and welcome ongoing conversation. The pride of "understanding" is taken out of the conversation, and we resort to a formal understanding of the work, which allows everyone to participate. It is in these vulnerable moments that deeper conversation can happen and we can recover connections with one another that may have been lost.”

"Triplets Fraternal" Mia Ferraro
"Serving Spoon" (back) Mia Ferraro
"Serving Spoon" (front) Mia Ferraro

As a queer+, artist, what do you see can be, needs to be, or cannot be restored?

“I think the confidence in our future as a community of Queer Americans can be restored. It feels dark to stumble upon news articles that doom us to become mere murals and ideas of people rather than actual humans. However, we as artists have a special duty to keep hoping and making because the visual and emotional language we are fluent in is key to progress. In a world where languages are being erased and blissful ignorance has become the norm, it is important that we recognize the scarcity of our work and its power. Our work rejects the limits that a spoken language may have where people must know what it means to participate. We are not simply making shapes or pretty things on pedestals in white gallery spaces. Rather, we are participating in creating a larger language, one that includes more people than ever before. It is easy to feel dismissed in our current climate and overwhelmed with the sheer amount of loss that is felt every day. However, the act of making represents a resilience that cannot be left unknown. The silence can feel deafening, but the act of continuing to make and enjoy art is radical, as is believing in a better place.”

Photographs Courtesy of the Artist