“Humans fall quickly into knee-jerk reactions before thinking slowly, critically, and with an open mind. I want to understand what it means to be classified as alive, and how we as individuals go about making these decisions for other creatures. I am inspired by in-between stages of life, which are messy and disturb the living. In my work, I use contrasting materials to emphasize the complexities of human consciousness. Their opposite natures clash, intertwine, to create emotional and often unsettling pieces, begging empathy from all viewers in an age of apathy.”
www.charliehaus.com
How does your creative practice reflect your experience of living and making as a BIPOC and/or 2SLGBTQIA+ maker?
“My work surrounds life's grey areas, and is meant to spark emotion in viewers. My creative practice is spontaneous and honest; in making, I follow the path that makes me feel the strongest, and my pieces often change drastically through the entire process. I am a genderqueer butch lesbian, and my pronouns are the masculine He/Him/His. Being a lesbian is core to my identity, and something I have lots of pride for; our histories are rich and persevering. Many people do not understand this, or they refuse to. Finding yourself takes trial and error. I relate my passionate artmaking process to the passion I feel in self discovery. American society works to simplify identity, but in the vibrant complexities of queerness, there is no room for hard lines. Everything falls in between.”
What techniques, stories, or materials have been passed down to you, and how are you reimagining them in the present?
“My metalsmithing gets my butch self to preen like a proud bird. The history of butches in the industrial workforce is long, with hundreds of us finding sanctuary in blue collar jobs and factories. Steel is precious to me for its strength and endurance, like the trailblazing lesbians before me. I feel close to my elders when I swing my hammer into the material which gives little, and grind metal to produce streams of bright sparks. Today I use steel to bind my chest flat in an androgynous presentation, with only my nipples breaking through. My large breasts are commonly and historically the glaring indicator of female sex to onlooking public. Chest binding has been a tool in male-passing for centuries. I resent hiding my body in order to be acknowledged as masculine when a man's flat chest can be bare in the sun. In Black Box Mammalian, I am vulnerable in toplessness while living with a flat steel chest- a 'real man's chest'- that features my two nipples in the awkward center. As strong as I am tender, like a real butch.”
"Black Box Mammalian" Mild steel, silver leaf, elastic, 12" x 18" x 3", 2026How does your work honor those who came before you while forging new pathways for the future?
“With my art I hope to honor the blue-collar labor history of butches, who worked tirelessly with their heads high and chests forward. There are complicated intricacies in butch identity, with a constant push-pull between womanhood, transgender identity, and masculinity in society. I am not anything which can be simplified, nor were my beloved elders. In material and form, I want to broadcast my devotion to queerness, remembering our past while trying to shape the future for all of us united.”
Photographs Courtesy of the Artist
Anything else you would like to share about this work? This can be an important part of the process, sourcing materials, research, etc.
“Throughout the making of Black Box Mammalian, I researched the history of butches and femmes in the United States in order to keep the information and emotion fresh in my mind. The process was full of joy, and I have come out of it very proud of my lesbian identity. I found that connecting with the spirit of my predecessors through forging steel was therapeutic.”
