“Tai’s work explores queer and subcultural narratives in the Post-Internet epoch, focusing on themes of body cults, deformation, and fetish objects. Precious materials such as jade and pearls are treated as analogues for skin and body parts, blurring the line between the organic and the ornamental. FAGATOPIA is a project that expands queer aesthetics by drawing visual cues from various nations’ military insignia systems. By stripping away the original meaning of these insignia, the series becomes a visual exploration of alternative power dynamics.”
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How does your creative practice reflect your experience of living and making as a BIPOC and/or 2SLGBTQIA+ maker?
“My work explores queer and subcultural narratives. As I can only draw from my personal experiences when creating, the projects are inherently queer. At the same time, I identify as an accelerationist, and my work follows a hyperstitional narrative. I believe it is important to position queer people within alternative possible futures - to center our presence and build a path connecting the present and the future.
I fetishise materials - jade, body piercings, cultured baroque pearls, rubber. These materials connect both my Asian background and my queer identity.”
Powder-coated brass, Surgical stainless steel, Pearls 120 x 56 x 15 mm 2021What techniques, stories, or materials have been passed down to you, and how are you reimagining them in the present?
“I learned jade carving from Chinese masters, an experience that fundamentally changed me. At the same time, I studied at three different art academies over a span of seven years, learning from both Asian and European professors. Each of them offered distinct and valuable perspectives on making and becoming an artist - perspectives that would vary depending on whom you ask. I believe that technique and attitude are the most important tools for navigating the challenges of pursuing “better art,” however one defines it.
I don’t think I am reimagining anything. My work reflects the values I respect and treasure. I don’t believe in any traditions that alienate minorities, and my work does not acknowledge them. Techniques and materials are without judgment - I use them to tell my own stories.”
How does your work honor those who came before you while forging new pathways for the future?
“I honor all great works, no matter who made them - great art is great art.
I believe the value of contemporary art lies in its reflection of the artist’s current thinking. As we are inevitably intertwined with contemporary society and modern life, this becomes an endless source of new ideas and topics to explore and reflect upon.”
Photographs Courtesy of the Artist
